Friday, 01 November 2024 | Login
BREAKING NEWS
Ommy Dallah

Ommy Dallah

The Commander Kenya Navy Major General Paul Otieno presided over the investiture of ranks ceremony to the newly promoted Senior Naval Officers at the Kenya Navy Headquarters in Mtongwe, Mombasa.

The ceremony held on Monday was conducted in accordance with the naval traditions following the promotions and appointments made by the Defence Council.

Some of the senior Kenya Navy officers who were promoted and appointed to new leadership roles include Brigadier Abraham Kipchirchir Biwott who was promoted and appointed Commander Kenya Navy Base Mtongwe (KNB MTG); Brigadier Mohamed Shee Shemote who was promoted and appointed Commander Kenya Navy Fleet (KNF); Brigadier Lazarus Patroba Wafula who was promoted and appointed Commander Kenya Navy Base Manda (KNB Manda) among other senior officers who received various appointments.

Maj Gen Paul Otieno congratulated the senior officers on their promotion and stated that elevation comes with increased responsibility.

“I applaud you for your outstanding voyage of progression within the hierarchies, showcasing your preparedness for the responsibilities that await. Your steadfast devotion and resolute dedication are a testament to the exceptional duty you have provided to our nation. I congratulate each of you for your exemplary contributions and unwavering allegiance to our shared mission,” said Maj Gen Paul Otieno.

Present during the event was the newly appointed Deputy Commander Kenya Navy Brigadier John Sankale Kiswaa, principal staff officers, senior officers, and officers.

Kenyan Afro-Pop singer-songwriter and producer, Ndegz, has released his debut EP titled ‘Mr. Bull’.

It’s a key moment in Ndegz’s music career as this marks his first extended body of work that truly represents his music style, artistry and production skills. The 7-track EP that cuts across R&B, Pop and Hip Hop genres delivers an authentic, emotional, personal and relatable listening experience. 

The EP’s title directly translates to his childhood nickname shortened from Ndegwa which means the bull in his native language Kikuyu. Excited to release his first body of work that took years to craft, Ndegz says, “It's been a long time coming! I’m ecstatic to share my sound with the world and my die-hard fans. In three words, this EP is soulful, vulnerable and addictive,”

Adding , “It's been a true labour of love. Long nights, uncountable changes in the making but generally an all round incredible journey working with some of the most brilliant creatives.”

At the same time, Ndegz has released the music video for “Your Love Is Like”' in collaboration with Kenyan rap legend Prezzo. The new video carries an irresistible charm, blending Ndegz’s smooth vocals and Prezzo’s iconic rap lines. The captivating combo shines in the sultry video directed by Ivan Odie and produced by Joe Mahinda. From the infectious beat to the heartfelt lyrics, every aspect of the song is designed to evoke emotions and stir the soul.

Watch on YouTube: “Your Love Is Like” 

Dancehall fused “1 Time” with Kidkay (formerly Kid Kora) is a song about longing to settle down with a desired lover, paying homage to long-term celebrity couple, Nameless and Wahu. Kidkay joins Ndegz again on “Loving You” - a deep, evocative serenade and “Fire Blue” that captures the essence of vulnerable love that renders the lover emotionally naked.

Ndegz keeps up a soulful momentum on the EP with heartfelt ballads: “Your Love Is Like” featuring Prezzo and “Need You”; closing off with “Boss” - a boastful anthem and banger.

‘Mr. Bull’ EP was launched at an exclusive listening party on Wednesday July 24th 2024 at Replay Lounge Nairobi, Westlands.

The event brought together a host of Kenyan media personalities, celebrities, industry stakeholders, corporate partners, family, friends and fans who came together to celebrate Ndegz’s first music project. Excited to share his EP ‘Mr. Bull’ with the world to experience his music in a way they have never before, Ndegz says that his new EP is a blend of SwaR&B (Swahili R&B) and Dancehall, representing a “Kenyan Summer” and promising fans a mix of ballads and bangers.

Tanzanian singer Snura has announced she is quitting music for religious reasons.

Addressing the media in Daresalaam, Snura said she has decided to devote her life to her Islamic religion.

" This is a day that I have been eagerly waiting for this day. I'm officially announcing today that I have quit all music related activities, I'm going back to practising my Islamic faith" said Snura.

Adding "This is a decision that I made two years ago and I was thinking of doing it silently but i have finally decided to make it public. "

Snura pleaded with the media to stop playing her music going forward.

"My humble plea to all radio stations and other media houses, please stop playing my music, I know there are fans out there who love my music but i plead with you too, do not play my music, respect my decision."

Snura also had a word for other singers especially female singers "Incase you hear about my death today you are free to come for funeral but please come to my funeral when well dressed and not half naked. Also avoid posting my past photos when I die "

The United States government, through USAID’s Economic Recovery and Reform Activity (USAID-ERRA) program, implemented by TradeMark Africa (TMA) and funded by Feed the Future, has signed a grant agreement worth US$199,988, with the Kenya Private Sector Alliance (KEPSA).

This collaboration will facilitate 160 Kenyan Small and Medium-sized Enterprises (SMEs), particularly those owned by women and youth, to leverage opportunities in the African Continental Free Trade Area (AfCFTA) by linking buyers and sellers across the continent.

The AfCFTA provides a single continental market, promoting the free movement of goods and services and economic integration.

This initiative is designed to enhance the agricultural export capabilities of these SMEs by addressing critical challenges, such as export readiness and trade barriers, enabling them to effectively compete and thrive in this expansive market.

The project will scale up e-commerce capabilities by providing training to prepare SMEs for export; collaborate with trade facilitation agencies to tackle trade barriers; develop and implement market access strategies tailored to high-value agricultural sectors such as tea, coffee, rice, and vegetables and raise awareness of trade opportunities presented by the AfCFTA, such as the Guided Trade Initiative (GTI) and the e-tariff book through increased sensitization and communication efforts.

A critical feature of this project is the Training of Trainers (ToT), which will build long-term capacity within KEPSA to support SMEs beyond the project’s lifespan, ensuring long-term sustainability. Empowering Kenyan SMEs with the tools to access alternative markets will not only increase their export competitiveness and resilience but also stimulate economic growth through increased export volumes.

The grant is part of the five-year US$75 million USAID-ERRA program. USAID-ERRA drives investment reforms, facilitates trade, and deepens regional integration by strengthening the capacity of national and regional bodies under the frameworks of the AfCFTA and regional economic communities.

Eunice Ambiyo, Deputy Chief of Party, USAID-ERRA, commented on the partnership’s potential, “This partnership is poised to improve the export competitiveness of Kenyan SMEs, empowering them with the tools to access new markets. This will not only help them withstand local economic challenges but also contribute to broader regional economic prosperity through increased intra-African trade and investment in export-oriented value chains.”

KEPSA CEO Carole Kariuki stated, “As Africa begins the journey toward the full implementation of a common market under the AfCFTA, it is imperative that the requisite competencies and capacity for local industrial activities by both large and small enterprises are built to enable all countries to benefit from the single market arrangements.”

This partnership underscores KEPSA’s commitment to realizing an enabling business environment that delivers Kenya’s global competitiveness.

KEPSA is positioning SMEs, who constitute 98% of all businesses in Kenya, to leverage the opportunities presented by the AfCFTA while also strengthening their integration in the value chains of large enterprises within the priority sectors identified by member states. These include accessing financing as a means to engage and thrive within regional value chains and strengthening the regional capacity of women and youth to mitigate the impacts of economic shocks, contributing to a flourishing and integrated African economy.

President Willaim Ruto has been hailed for launching several development projects in the Coast region.

Ruto who began his Coastal development tour last Thursday in Mombasa has so far visited several counties in the region launching his flagship projects.

On Friday, the President issued Ksh1.7 billion grants to 612 fishing groups drawn from Mombasa, Tana River, Kwale, Lamu, and Kilifi Counties which will benefit 19,000 residents.

Speaking in Mombasa, the President announced that the government has handed over five fish landing sites in five counties at the coast.

He added that the government is going to spend Ksh.1.2B to construct the fish landing sites in Kidongo, Kilifi, Kipini, Mkowe and Mwaepe.

According to Mombasa youth leader Evans Momanyi, the gesture by the President should not been taken lightly arguing that the President has decided to do things differently unlike before when the region complained of being sidelined.

"We have to people who appreciate, whatever the President has done will have alot of impact in terms of development not only for us but also generations to come." said Momanyi.

"As the Coastal people, we have always complained of being sidelined when it comes to development projects by the government, we now have a chance to also feel how other regions have been feeling and benefiting."

The President also launched the construction of a modern market in Kilifi and Kwale. In Kwale he also launched the construction an industrial park. On Monday president Ruto officially launched the Pwani School for the Mentally Challenged Tuition Block and laid the Foundation Stone for Nyali Technical and Vocational Education and Training Centre (TVET).

The Youth leader also called on political leaders especially from Mombasa to unite and avoid being divided based on political parties.

Momanyi argued "We have all seen what our president has done, Hassan Joho who is the ODM Deputy party leader has now been nominated to the cabinet, we need to see this trickle down to unity between ODM and UDA party members here in our county. We are now one, lets follow the president's footsteps." 

Momanyi further challenged Mombasa Governor Abdulswamad Nassir to also consider having members of the UDA party in his government.

"You are a member of ODM and as you can see the UDA government is now working with your Deputy party leader who will soon be a CS, I challenge you to now also pick some of UDA members to serve in your government even if it means appointing them as Executive members or Chief officers"

 

Nyali Mp Mohammed Ali has challenged the newly nominated Mining, Blue Economy and Maritime Affairs Cabinet Secretary to focus on serving all Kenyans once cleared by the National Assembly.

Speaking during the official opening of the Pwani School for the Mentally Challenged Tuition Block by President William Ruto, a visible angry Ali told Joho to shift his mindset and focus on delivering for Kenyans as a CS.

"To our brother Hassan Joho we will come him to the government and let him know that flag is for the people of Kenya not only Mombasa, let him stop the circus." said Ali.

Ali also called on UDA supporters in the country to remain steadfast saying the recent events will not affect the popularity of the party in the county.

He further welcomed the move by President William Ruto to appoint a new cabinet which also includes members of the ODM party.

The ODM leaders in the new cabinet includes John Mbadi, Hassan Joho, Opiyo Wandayi and Wycliffe Oparanya.

On Sunday evening during a townhall meeting in Mombasa, President Rutoclarified that his administration had not formed a coalition with the Opposition, instead referring to it as a "broad-based government."

 “There has been this feeling that the government is made up of William Ruto's friends. I also wanted other people to join the government, an administration that has the broader face of Kenya, and that is why different members of my cabinet are coming from different formations,” he said.

Telecommunications and data centre providers around the world, and especially in Africa, face increasing challenges in meeting the demands driven by artificial intelligence (AI) and the rapidly changing technology landscape, which is impacting their infrastructure and services.

 

This is according to Jon Abbott, sales director for strategic telecom clients in EMEA at Vertiva global provider of critical digital infrastructure and continuity solutions, who recently addressed Kenyan leaders in the local telco, tower, and colocation arena in Nairobi. Abbott shared insights into the operational and technology changes that are set to reshape the entire communications networks landscape by 2030.

 

According to the 2023 Digital Quality of Life Index, a study on digital wellbeing across 92 percent of the world’s population, Kenya, which is ranked 76th overall of 121 countries globally and 3rd of 25 African countries across pillars that impact a population's digital quality of life, drops to 82nd overall in terms of its AI readiness.

 

“The challenge for Kenya is that AI adoption is already transforming the IT stack and our IT infrastructures. This means that accelerated architectures are needed to meet the requirements of AI workloads,” Abbott said.

 

He pointed out that the tangible network developments required will include adjustments on the operational side that consumers don’t see. This is likely to include changes in network ownership and increased costs of service largely driven by ever increasing demands for energy consumption as intelligent connectivity rises.

 

“This will place a greater emphasis on efficiency, while more attention will also have to be paid to sustainability and emission reduction,” Abbott explained.

 

At the same time, significant technology changes are expected to take place, including a greater move to the edge of the network, which will drive big tech collaboration and increased standardisation across the physical and logical infrastructure – a complex undertaking. We can also anticipate more open-source groups and commoditised hardware; data processing capability integrated into the network fabric; and new ecosystems with more private networks.

 

“Then there’s the Internet of Things (IoT), which has the potential to unlock insights and efficiencies across all sectors. The way this will evolve will be to propagate the landscape with processing capability, breaking the facility down into smaller and smaller localised facilities,” he continued.

 

What will this mean for data centres?

 

According to Abbott, the data centre as we see it today will not disappear. Rather, they will continue to grow, but in parallel, more and smaller “edge” data centres will populate the landscape, each with the same fundamental physical requirements as their larger counterparts – always on, never getting too hot, which will place cooling systems under strain, and operating as efficiently and securely as possible.

 

“The challenges all this poses in terms of energy provision, particularly in the face of energy transition and sustainability requirements to meet the 2030 global emissions reduction goals, will be considerable,” he said.

 

Other hurdles to be overcome range from meeting the likely exponential growth in rack density and constraints on skills availability, to trade-offs between new builds and retrofits, power grid constraints, and an increasing need for short turn-around times as well as repeatable, quick-to-deploy designs.

 

“The bottom line is that AI will be a major challenge for network providers with data consumption and creation accelerating across all sectors, and data processing saturating the facility landscape. While this could be daunting for providers, having the right partner at your side – one that can assist with power and thermal management, and integrated rack solutions - every step of the way will help to smooth your deployment journey. Vertiv is well placed to be such a partner,” Abbott concluded.

Global AfroPop artist Yemi Alade has today released ‘Rebel Queen’, her tenth body of work - out via Effyzzie Music. The album title is a testament to Yemi’s reign as Africa’s Queen of AfroPop and unapologetic love for her originality, heritage and love for the African continent.

She explains, “To be a Rebel is to travel the path less traveled. To Rebel is to continuously be true to oneself even when one's personal choices are not regarded as popular opinion.”

The second single off the new album, “Peace & Love” featuring 8x GRAMMY-winning Jamaican musician Ziggy Marley, is a powerful reggae-infused duet imagining a borderless Africa in a utopia where war, disease and injustice would not exist but peace and love.

This release follows “Tomorrow” - the first single off ‘Rebel Queen’ that has already amassed over 7.5 Million YouTube Views in just a month since release.

The timeless piece honors the aspirations of the future and the ongoing pursuit of turning them into achievements. 

The 16-track album also features collaborations with Konshens & Femi One in “Baddie Remix”, Angelique Kidjo in “African Woman” and Innoss'B in “Lipeka”.

From AfroPop, Dancehall, Amapiano, Lingala, Afrobeats to Reggae and R&B, ‘Rebel Queen’ is a cocktail of different genres with multiple flavours that will appeal to every single music lover from any corner in the world. Yemi Alade says, “I was inspired by the core African music of Highlife and different genres that got us excited as Africans. I created this album with the sole purpose of creating music I grew up loving and the variety I have grown to love now.”

Rebel Queen’ also speaks of Yemi Alade’s bold spirit and global domination to a great degree. She says, “I am a true rebel in words and in action. I have always charted my own course and walked the path less traveled.

A lot of albums tend to have monotony in genre and style and it bores me easily most times. This album has something new, old and borrowed. Every song is unique and a capsule of my thoughts, melodies and truck load of nostalgia,” adding, “All the collaborations excite me! I couldn’t wait to share, especially because I am a fan of these artists.”

Yemi started the year 2024 on a big note - performing at the 2024 Africa Cup of Nations (AFCON) opening ceremony. ‘Rebel Queen’ adds to Yemi’s global domination.

She has already joined her fans and industry stakeholders in celebrating the album at release parties across the globe in the cities of Paris, London, New York and Lagos.

She will this year embark on her ‘Rebel Queen Tour’, following a successful ‘African Baddie’ world tour alongside her African Train Band that stopped in 22 countries through Africa, America and Europe in 2023.

Yemi Alade sums up, “Growing up, African pop music was a mixture of music that carried messages and helped us through different situations in life. This album is a blend of what my playlist consists of right now e.g. the new and old pop music that cuts across generations and boundaries.”

 

A report on sexual harassment has revealed that 60 per cent of people (especially women) working in the media space have experienced sexual harassment.

The report titled Sexual Harassment in the Kenyan Media Landscape 2024 was commissioned by the Association of Media Women in Kenya (AMWIK).

The study involved 240 participants, 20 Key Informant Interviews, and had as its aims including assessing the prevalence of sexual harassment, evaluating the existing legal framework and uncovering the underlying challenges to curbing such harassment.

The study findings revealed a disturbingly high prevalence of sexual harassment in Kenyan newsrooms.

"A staggering 60% of the respondents reported experiencing sexual harassment during their careers. These incidents ranged from unwelcome advances and requests for sexual favours, to offensive behaviour, and the use of sexually explicit language,” stated the report.

The study is a continuation of the WAN-IFRA research conducted between 2020 and 2021, which identified Kenya as having the highest prevalence of sexual harassment of female journalists in the region, with 79 per cent of them experiencing verbal sexual harassment.

It aimed to address the critical need for additional data that can be used to design effective interventions against sexual harassment in Kenya.

According to the report, most of the females who experienced sexual harassment were between the ages of 18 to 35, and 54 percent of journalists aged between 25 to 35 have experienced sexual harassment

It revealed that 40 percent of female interns have experienced sexual harassment which underscores the vulnerability of entry-level professionals in Kenyan newsrooms.

Interns, according to the report, are often eager to gain experience and establish themselves in the industry, making them susceptible to exploitation and harassment by their senior colleagues.

“This finding raises concerns about the lack of protection and mentorship available to young female journalists who are starting their careers,” said the report

According to the report, in the context of Kenya’s media landscape, sexual harassment can be linked to misogyny as 61 per cent of respondents indicated that they felt the issue of men who feel entitled resulted in a high prevalence of sexual harassment.

Over 50 percent of male respondents believed that women behaving inappropriately is a reason for sexual harassment, in contrast to 37 percent of women who share this opinion.

“This pervasive misogyny is what contributes to media capture. The fact that most victims of sexual harassment have not been able to attain justice, as male perpetrators continue to work in the newsroom, suggests there is an extensive form of media capture by patriarchal interests,” the report said.

The report showed that 64 per cent of the respondents said that current policies are insufficient in curbing sexual harassment with most women respondents stating that existing policies favour male journalists and protect them against sexual harassment compared to females.

Respondents also noted that there is a significant awareness gap regarding who can help combat sexual harassment, with 53 per cent noting the lack of guiding policies for journalists.

This, according to the report, leads to speculation and creates gaps exacerbated by issues such as the abused or harassed bearing the burden of proof, which tends to favour male harassers and discourages female journalists from reporting sexual harassment cases.

The report revealed that 71 percent of the respondents indicated knowledge of the perpetrators of sexual harassment, who have neither been prosecuted nor held accountable for their crimes.

However, approximately 46 percent of the respondents indicated a lack of knowledge regarding safe reporting mechanisms.

"This points to an inadequacy in reporting mechanisms and limited protection for victims. This situation amounts to media capture, as male journalists continue to enjoy privileges and favouritism due to lax policies intended to address sexual harassment,” the report said.

A significant 39.8 percent of participants indicated that a fundamentalist and conservative culture is responsible for the pervasive issue of sexual harassment

 

 

 

 

 

Daina Njuguna, is one of the newest faces on our screens, stars in the Showmax Original comedy-drama series Big Girl Small World.

The newcomer plays Aisha, a wild card whose free-spirited nature and carefree outlook to life often lands her in trouble. After years of self-exile, Aisha returns to Nairobi seeking new purpose and redemption for her past mistakes.

All 13 episodes of the Nick Mutuma-directed series will be available to binge on Showmax from Wednesday 24 July.

Njuguna is a graduate of the American Academy of Dramatic Arts, where she walked the same halls as Hollywood royalty Grace Kelly and Hollywood legends like Jennifer Coolidge (The White Lotus), Anne Hathaway (The Devil Wears Prada) and the Ant-Man Paul Rudd.

“It’s awe inspiring,” she says. “It’s a really old school and they have all these class photos from the 20s. It's wild to think Grace Kelly walked down those same halls.”

Why did you decide to come back to Kenya?

After graduation, I had a year to work and I felt what it would be like working in America. By the end of it, it made more sense for me to come back home to Kenya.

How would you describe your experience at the American Academy of Dramatic Arts?

It was incredible, the best two years of my life. The program was like art therapy in a lot of ways and I left it having found the most honest version of myself. And I got to do it in New York City. Magic!

You play Aisha in the Showmax series Big Girl Small World as your first-ever role. Were you nervous?

It all happened so fast, I didn’t actually have time to feel nervous. It wasn’t until the test shoot that I started to panic. Most of my acting experience is on stage so being in front of the camera had me shaking in my boots!

Your character Aisha is described as a wildcard and a free spirit. What drew you to her?

I could see a lot of myself in Aisha. But she didn’t fully come into focus until I saw her wardrobe. I realised she’s like me, without brakes on. Her centre is much like mine; she moves through this earth feeling her way around. Also, the fact that she had just moved back home. I know the feeling of starting over somewhere familiar. It’s a strange feeling: this is home, but where do I fit in?

What do you think about female friendships and how it’s portrayed between Aisha and Ciku (June Njenga) on Big Girl Small World?

I love female friendships. And as you get older, you realise female friendships are the sturdiest ships, so seeing Ciku and Aisha resolving their past and coming back together is my favourite thing. With all their history and all the time that has passed between them, reconnecting can get so complicated but it’s beautiful to see them navigate it with as much love as they can give.

As a newcomer, what’s the biggest lesson you’ve learnt about the film and TV industry in Kenya with this role?

Creatively, there are always lessons to learn when working with such a dynamic group of people. The one thing that is more of a reminder than a lesson is that people care about what they do and how they do it - it’s so inspiring to be around that consistently. I’ve also learnt that in the Kenyan industry, networking is the prime directive.

As a newcomer, what more roles do you want to play in future?

I’m very excited to see how Aisha evolves. Hopefully, Big Girl Small World comes back for another season so we can see more of her and the story. Other than that, I’d love to find my complete opposite in a character; now that would be a funny experiment of extremes.